• The Dynamics of Facebook Protest

    This is a report on the experiment that Nodus Labs conducted on some of the more active Russian protest Facebook groups formed after the rigged Russian election in 2011. We made two network visualizations for three different protest groups over a period of one month in order to observe their dynamics. We found that the most influential members of these groups were not too politically engaged before the elections and were mainly journalists, students, event organizers, and media workers. We also found that the groups formed around ideological causes (such as “Putin must leave”) stagnated in their development in January 2012, while the groups formed around a call for active participatory actions (“Volunteers for the fair elections”) have grown in size and density considerably, building a very well connected and yet open network that was able to bring many new members together around their cause.

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  • Pluto Bleibt Campaign

    An ongoing research into the nature of protest movement, reclaiming the space, and belief in believing.

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  • Inclusive Exclusivity: How to Build Open and Innovative Cultural Networks

    In order to maintain a certain degree of openness and flexibility that would extend beyond the short-term goals, professional networks must practise “inclusive exclusivity” – that is, maintain tightly-knit clusters but only temporarily, allowing for the new individuals and communities to enter from the periphery towards the center of the network. Nodus Labs research based on the study of PAF and INPEX – two cultural networks working in the field of contemporary dance. November, 2011.

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  • The Ethics of Networks

    Dmitry Paranyushkin of Nodus Labs was invited to take part in the “settlement” initiated by Vladimir Miller in early January 2011.

    In Vladimir’s own words: “The settlement is a model to engender and structure work, knowledge, events and encounters. In a shared space, the participants function as an open group where questions of territory, negotiation and hospitality in art production surface. […] Between anarchy and the rule of majority the settlement praxis actively searches for a spatialized production of dis-agreement.”

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